Two people sitting on a bench look through a window with white blinds. This is the mirror. It protects the innocent looking into the eyes of the architect’s schemes. It protects the inquisitor's complicities. It ensures that in constructing the objects of desire, the spectator's gaze will never stray from the limits which it sets on itself and that it will always remain within the place which it sets as a template. The spectator’s activities are thus directed toward justifying the constructions whose language they have learned to make their own.