The arched windows of the large white building in which the institute was housed, where the glass divided the daylight from the darkness of the night. This made the city a spatial monument (a spatial acronym) while simultaneously presenting the public to the persecutory reflections of their own thoughts, while eliminating the advantages of darkness. Ultimately, the public was spared these effects and, in a place totally bereft of them, viewed the city as a repository of the perfect amount of light, a glowing ember.
This place was a hasty reconstruction of a lost paradise.