The potted plants and the pictures on the wall provide a systematic unity of a characteristic with a rectangular plan. They are vertical even though, from pole to pole, from window to window, they rotate along with the wall. They thus define an antistate. They are thus also voids. In the same way, the line dividing equals or exceeds the space by which its utilized; it is an "in-between space," the kind of "space" that Proust means when he writes that "space is wanton" between the "space" of a telos and the "space" of a god.