The clothes hanging on the rack imply an expectation (although an unexpected one) and thus makes the wearer assume a presence that is invisible but still there. Here, the term “Dressed to Kill” is properly applied. Not only that, but these clothes also have the function of making the absent man present, present at home, in the flesh, in a mutation of the space where he used to be. He is the equivalent of a tool, an instrument manipulated by its master. He is thus a metaphor for effective ways of operating.