Above the brown chair, the writing on the wall is shifting. It is moving out from the back of the windowpane, moving toward the glass, and at the same time, isolating the event or its object. What is obscured by the glass is the writing that creates the drama of the distance or the impossibility of passing on. What is written about remains un-titled. The pane of glass separates the inside from the outside, the wild or domestic from the opaque texturology of a semiotics of their own.